
The Collections
The Keeneland Library collection features a wide array of information, ranging from video replays, race charts dating back to the 1860s, photographs, newspaper clippings, periodicals and nearly every significant book written about the Thoroughbred and racing and breeding. The Library’s book collections span a broad range of topics, including sales and racing, veterinary care, farriery, equine art, biographies, the history of the horse in culture, racing history, memoirs, equine law and economics, theories about handicapping and breeding, and even fiction, photography and poetry.

COLLECTIONS
Journal
Among the most popular materials are the complete collections of the Thoroughbred Record and Thoroughbred Times. Beginning in 1875, the Record and Times provided a comprehensive weekly report on international racing and breeding. The Library’s nearly complete file of The Blood-Horse and the Spirit of the Times also provide weekly glimpses into many aspects of the industry. Approximately 100 other journals related the equine industry fill the journal stacks. In addition, the Library holds a large, international collection of stallion registries, racing calendars, manuals and stud books, some dating to the early 18th century.

COLLECTIONS
Photograph
In addition to the initial gift of 2,300 volumes, Arnold Hanger brokered many other gifts for the Library, including the outstanding photographic negative collections of photographers Charles Christian Cook and Bert Morgan. In 1954, the Library acquired the collection of Cook, one of the first photographers in the U.S. to specialize in racing. The more than 18,000 glass plate negatives focus on the early 1900s to mid-century. The Morgan collection comprises more than 200,000 film negatives of racing action shots, finish lines and winner’s circles covering the 1930s through the early 1960s. Morgan pioneered the “below the rail” style of finish line shots.
COLLECTIONS
Daily Racing Form
In 2000, the Daily Racing Form donated its priceless archive of over 3,400 volumes to Keeneland, including three editions of the Daily Racing Form dating back to 1896, the DRF Monthly Charts and many editions of the American Racing Manual. Keeneland has undertaken the Daily Racing Form Preservation Project to create digital copies of the most fragile issues of the Form and to make them available to the public through an online database. With a subsequent gift in 2010, the DRF collection now numbers well over 5,000 volumes.

COLLECTIONS
Peb
In the fall of 2009, Pierre Bellocq, the internationally celebrated artist better known as “Peb,” joined Daily Racing Form officials to announce the donation of nearly a half-century of his humorous caricatures and equine cartoons to the Library. The Peb collection includes approximately 4,000 original works of art. In January 2011, the National Endowment for the Humanities awarded the Library a Preservation Assistance Grant to assist with the preservation of the Morgan and Peb collections.

COLLECTIONS
Art and Artifacts
A museum area exhibits valuable racing artifacts and various collectibles, such as two antique jockey scales, a 19th century silk purse from the Kentucky Association track, trophies and horse shoes worn by Whirlaway, Man o’ War and Citation, among others. In addition, a portion of Keeneland’s equine art collection is on display in the Library, including the paintings “American Eclipse” by Edward Troye and “Hanover” by Henry Stull. Bronze sculptures by Isidore Bonheur and Jules Mene and several 20th century sculptors are also featured.

COLLECTIONS
Recent Acquisitions
- Scrapbooks and other collectibles about Racing Hall of Famer Spectacular Bid, winner of Keeneland’s Blue Grass (G1), Kentucky Derby (G1) and Preakness (G1) in 1979, maintained by Harry and Teresa Meyerhoff of Hawksworth Farm;
- Copies from 1820-1829 of American Farmer, an important agriculture publication of the 19th century that provided a researcher with information about the prominent stallion Lexington; and
- 1859-1862 broadsides from the Kentucky Association track located near downtown Lexington from 1826-1931